Sunday, December 12, 2010
Encounter Down From Morton And Lime
I leave my door every single day
With my small cloth satchel underarm
Sometimes to the Church, to confess or pray
Sometimes to the dance hall to be charmed
Wither my memory of sadness and pain
Banish my concern for my own harm.
Passing by the church, I beg today
Can you see me to a young man's arms?
As the light in the sky, still so early fades
You'd not be too surprised if you could see
The figure of a woman, walking just your way
In the dim light passing by it would be me
"In the Sweet By and By" above me play the bells
My mind is nearly taken by the tune
Though just before they're done the music swells
Through yellow light that I am walking through
But not in celebration of enduring pain
It comes from where I walk across the street
For the fiddle and guitars make a different claim
And I'm smiling for the friends I'm there to greet
Wither my memory of sadness and pain
Banish my concern for my own harm.
Passing by the church, I beg today
Can you see me to a young man's arms?
The crowd grows restless that they've yet to dance
In pairs they walk to the center of the room
When twinning fiddles have their way with darkness chance
What hearts of those assembled will refuse?
I took the hand of one named Johnny Bland
A sheepish sort of look on my face lies
As a witness from the window can see us dance
Out of four there is no blinking of our eyes
Wither my memory of sadness and pain
Banish my concern for my own harm.
Passing by the church, I beg today
Can you see me to a young man's arms?
Some of the songs call to twist and spin
I hold and trust from him I'll never fly
Some of the songs switch me to other men
And they're clearly not unhappy in my eyes
Then the waltz comes at last and some people sit
While I look for someone that I've never seen
And who should approach but the perfect fit
For a girl who doesn't mind the touch of dreams
He'd seen me coming with his kind and gentle look
Sadness drained from his dark and tender eyes
He offered his hand which I gladly took
And I shivered at the other on my side
Wither my memory of sadness and pain
Banish my concern for my own harm.
Passing by the church, I beg today
Can you see me to a young man's arms?
From a people that had searched over seas and hope
The fiddles found my footsteps in their sighs
I simply fell where led by the dark eyed bloke
With the light of every pilgrim in my eyes
It is difficult I knew, even then, to awaken
And meet, alone, the troubles of my day
The journey in the arms with him I'd taken
I feared would end when the fiddles ceased to play
Wither my memory of sadness and pain
Banish my concern for my own harm.
Passing by the church, I beg today
Can you see me to a young man's arms?
The fears of every mortal being far from wrong
The dancing ended as the sun will take a dream
The players of the instruments meant me no harm
When tradition broke the heart of Harmonie
I pulled my new beau to the side of the floor
A place I'd never had a reason yet to be
And as entwined the hands of other boys and girls
I asked the dark eyed stranger who was he?
He said, "Since there we danced, I can hardly dismiss
The sad and watchful man I came here as.
My name is Billy Faren, and it's a pleasure, Miss,
To meet and dance, but might we make it more than that?"
"Harmonie Jennings," is my name dear man,
The answers, yes I'll walk with you tonight"
So we passed through the sound of the fiddles and the band
To a starlit street before the town folks eyes
Wither my memory of sadness and pain
Banish my concern for my own harm.
Passing by the church, I beg today
Can you see me to a young man's arms?
We walked for a time that neither could discern
Amidst the woodsmoke, and other scents of life
So many dreams and yet what could we hope to learn
Whilst holding, there, each other in the night
We stopped beneath the lamp at Benders lane
And from his pocket he took his other hand
"Need I even tell you for what I pray?"
When with a touch and kiss he hoped I'd understand
"This is the house within which I was born"
Said Billy, sadly, to the shadows in the night,
"There's something I have yet to inform...."
But I kissed him then again beneath the light.
Wither my memory of sadness and pain
Banish my concern for my own harm.
Passing by the church, I beg today
Can you see me to a young man's arms?
Billy walked me gently in the darkness of the night
Past an ending dance, where a last waltz sadly played
Past the steeple where the bells hid out of sight
Arm and arm to where it was my fate to stay
To part would be as silent as it was hard
So I simply turned from Billy to my home
There would be tears eventually even were we not to part
For till the morning... I must now be alone
Wither my memory of sadness and pain
Banish my concern for my own harm
Passing by the church, I beg today
Can you see me to a young man's arms?
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4 comments:
nice narrative, im assuming that this is a song as it is extremely lyrical...it would be great to hear the song played if at all possible, that is if it was meant for music.
Thanks Jeremy (Sean. I guess)
yep, it's a song... I'm in a songwriting kick... what's funny is that I originally meant to write a very archetypal ghost story... can you guess what happens?
Take a guess here, or anyone else who reads this: what was originally supposed to happen to the characters, before I chickened out?
I will eventually have this rather long ballad up on Domestic Neon in song form. My recording situation is a total joke, as anyone who's head my songs on my blog could tell.
Thanks.
I look forward to the 'alternate ending' version - I could sense the eerieness at the end, but was unsure of what had become of the lassie - an enjoyable read, sir. Thanks for it.
PG
Old 333 (interesting name by the way)
Thanks for reading it, and yes, there are two things at the end that make less than perfect sense due to my completely changing my intentions.
Also, the song was originally written from the prospect of a man from the future returning to the past, our town style, to my mothers home town street in Kendalville, IN, where she grew up down the street from the places depicted. I have enjoyed imagining her walking that street so many times... and like I said, there is a archetypal, extremely popular, folklore ghost story that caused me to begin writing this. So, I'm thinking about writing a similar, but different, darker version, now that you mention this. Thanks. I appreciate the idea.
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